When your sweetie tells you, everything’ll be okay Just skeep-beep de bop-bop beep bop bo-dope skeetle-at-de-op-de-day! Cab Calloway recorded a tune actually named The Scat Song in 1932 that contains the following lyrics: Improvisational scat singers strung together groups of words and alliterative sounds that were intentionally nonsensical. It was inspired by “scat,” a style of jazz singing that was popular during the 1920s and ‘30s. Mae Questel, the voice of Betty, with Max Fleischerīetty’s signature phrase, “Boop-Oop-a-Doop,” has no meaning out of context. She even voiced Popeye in a few cartoons, as well as Casper and Little Audrey. Remarkably versatile and talented, Questel was also the voice of Olive Oyl for twenty years. Questel initially shared the voicing role for Betty with other artists, but soon took it over exclusively. A few other actresses followed Hines until Fleischer discovered vaudeville performer Mae Questel in 1931. Margie Hines was the first voice actress to speak for Betty.
BETTY BOOP PURSES COLLECTIBLES VALUE CODE
Bimbo was banished from Betty’s series by the Motion Picture Producers and Distributors of America (MPPDA) Production Code when it was eventually decided that a dog with a human girlfriend was improper and violated the censorship rules that had been formally adopted in 1930. The Talkartoons series was renamed the Betty Boop series in 1932 beginning with Stopping the Show. Bimbo was demoted to a supporting role when Betty Boop supplanted him as the most popular character in the Fleischer troupe. He was originally named Fitz in the Out of the Inkwell series, but later became the star of Fleischer’s Talkartoons series, making his first appearance as Bimbo in Hot Dog (1930). In stand-alone cartoons, she was billed under other names, including “Nan McGrew,” taken from the 1930 Helen Kane film Dangerous Nan McGrew, and was often cast as a girlfriend to Bimbo, the prevailing studio star at the time.īimbo was a purely fictional cartoon dog that appeared in Fleischer productions from 1930 through 1933. She started out as a supporting character in ten cartoons and was portrayed as a scatter-brained flapper with a heart of gold.
Black curls framed Betty’s face in all of her cartoons except Poor Cinderella (1934), in which she became a redhead for her only color film. Betty, her floppy poodle ears morphing into hoop earrings and her black poodle nose becoming a tiny, turned-up button nose, was introduced as a Jazz Age flapper in the cartoon Any Rags. Originally drawn as a humanlike French poodle caricature of singer Helen Kane, Fleischer’s character was changed to a completely human form in 1932. The daily strip ended after less than a year and the Sunday strip lasted only until November 1937. She also appeared in print in the comic section of a few newspapers starting in July 1934, but the comic strip never achieved the popularity of her cartoons. However, one factor that undoubtedly had a major impact is the controversy that surrounded and shortened Betty’s cinematic career.īetty Boop made her debut in Max Fleischer’s 1930 cartoon Dizzy Dishes, the sixth episode of his Talkartoon series produced by Fleischer Studios and released by Paramount Pictures. All of the circumstances that contributed to the scarcity of these purses today might never be known. Betty’s image was licensed for a wide range of products including nail polish, cigarette cases, dolls, playing cards, and metal mesh purses.Īre you among the fortunate collectors who own a Betty Boop mesh purse? Apparently relatively few of these bags were made and even fewer remain after eighty-odd years.
She starred in a total of 111 films between 19! And she was so popular that her likeness became one of the most frequently used images in mass merchandising during the Depression era.
However, the cartoon character, Betty Boop, was an even bigger box office draw than many of the flesh and blood actors. She can win you with a wink. Wait `til you… get a view… of sweet Betty! (Lyrics from the Betty Boop cartoon series theme song.)Ĭan you name the favorite flappers of moviegoers in the 1930s? Silver screen devotees certainly flocked to see Marion Davies, Louise Brooks and Colleen Moore.
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